Release Date: 26th March 2004
Banner: Lakshmi Productions
Direction: Seenu Vytla
Music: Devi Sri Prasad
Story: Seenu Vytla
Screenplay: Seenu Vytla
Dialogues: Kona Venkat
Lyrics: Sahiti
Cinematography: Prasad Murella
Thrills: A Vijay
Editing: Marthand K Venkatesh
Art: Narayana Reddy
Producer: Atluri Purnachandra RaoCast:
Ravi Teja,
Sneha,
Ashutosh Rana,
Raasi (SA),
Srinivasa Reddy,
Chitram Seenu,
Ramchandar,
Tanikella Bharani,
Delhi Sakuntala,
Brahmanandam,
AVS,Venu Gopal,
Krishna Bhagavan,
Dharmavarapu Subramanyam,
Ahuti Prasad,
Mallikharjuna Rao,
Kaushal,
Apoorva,
Bharat,
Sirisha,
Suman (SA)Story: Venkateswarlu (Ravi Teja) is a wayward youth in Vizag who roams around with friends all the time. One day he - along with his three buddies - accidentally gets selected in police selections. Venky and his friends embark on a journey from Vizag to Hyderabad to join police academy for the training. He falls in love with a co-passenger Sravani (Sneha) aboard the train. Srvani refuses the instant proposal of Venky. He also picks up a row in a state of inebriation with Sravani's father and another girl and threatens them that he would kill them.
And surprisingly, Sravani's father and other girl found dead on their berths on the next day morning. After realizing that they would be blamed for a murder committed by somebody else, Venky and his gang slips off from the train and join the police training academy.
There they realize that their boss Yogendra Sharma (Ashutosh Rana) is responsible for the murders in the train. Why does Yogendra want to kill Sravani and her father is the mysterious question that would be solved by Venky. Rest of the story is all about how Venky protects Sravani and how he brings Yogendra Sharma to the book.
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2.17.2008
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Venky (2004) |
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Premikula Roju (1999) |
Music: A R Rehman
Cinematography: P C Sriram
Art: Thota Tharani
Editor: Vijayan - Lenin
Dialogues: Sri Ramakrishna
Story, Screenplay and Direction: Kathir
Producer: A M Ratnam
Release Date: 9th July 1999Cast:
Kunal(Raja),
Sonali Bendre(Roja)
Nazar(RamaKrishna)Story: Titles of the movie starts with showing the travails of child labor. Immediately after titles, a computer screen appears in which the user chooses a love story as the option. Then the real story of the movie unfolds in the glamour capital of India, Bombay. Victorious Terminus platform is buzzing with the exuberant visitors from all the suburbs, who came to downtown to celebrate the new year. Yup! It is the midnight of 31st December.
A sober looking middle aged man trying to catch-up the excitement realizes that there something amiss for the cute teenage lad who is sitting beside him. Raja(Kunal), is looking very sad gazing into non existing emptiness. That middle aged man asks him about the reason for Raja's sadness and try to comfort him with a few kind words. Raja starts telling his story ...... here you Go!! A teenage lad, Raja, from the interiors of AP lands up in VT to attend an interview for the prestigious management school in India "RamaChandra Institute of Management(RIM)".
But what he lack is financial background. His father is blacksmith, who can't afford Raja studies. Raja go to Nariman Point and rests on a cement bench on the sea face with his 'trunk pette'. He slips into a sound sleep as the sea breeze make him comfortable. An old man(Nazar) spots this talented guy and manages a seat for Raja in RIM. As you have guessed by now, RamaChandra, the founder of RIM is none but the old man (Nazar) who spotted Raja.
Raja gets admitted into RIM, which has a pay cyber cafe, and somehow hits off well with the computers. One fine day Raja enters MIRC chat and start chatting with SUMAM. Sonali is the gal who had a nick called sumam. That gal introduces herself as a married female with kids to Raja. And Raja still wants to befriend her. Later on Sumam apologizes for giving wrong info to him and lets him know the real intro. And she asks him to guess her real name using her nick. Raja hits the bull's eye in second guess by say 'Roja'. This is the beginning of Boons & Millers romantic story between Raja and Roja.
Only wrong info they conveyed to each other is that Raja is from London and Roja is from US of A. In fact, both of them are chatting in same cyber cafe. They start kutchi-kooing over net. Its a different matter that after a month Raja gets a bill of Rs 5000/- for his chats. Meantime Raja and RamaKrishna become very close buddies. RamaKrishna gives a thorough encouragement for Raja about love. Raja asks Roja for her picture and she emails him. He also emails his picture to her. It so happens that when Roja opens Raja's pic, Raja see Roja in real. Both of them are shocked as they expect their chat partners to be in abroad. They smile at each other without uttering a single word. Raja and Roja catches the same VT bound 8:10 train in Bandra Station every morning. They look at each other and smile, but no talks. They know that they love each other, but they are too shy to approach each other with a proposal. There was an annual function declaring the top 10 Management colleges of India. Gupta Institute of Management (GIT) bags the second place. Son of Mr Gupta was asked to receive the award. RIT grabs the first place and daughter of RamaChandra receives the award. As you might have guessed the daughter of Ramachandra is none but Roja. When the Numero Uno award was announced our hero Raja was conveniently sent by the director to a toilet. At that time Mr Gupta comes to a conclusion that his son and Roja can be the best combination for the marriage. And it is evident that Raja is still not aware of Roja being the daughter of his mentor RamaChandra. Raja confess his mentor that he spotted his net friend in real and say that he is in love with her. RamaChandra encourages him to the extent that he is ready to write a love letter that is given to Roja by Raja. Ultimately Roja composes the love message on the request by her dad, without knowing that the destination of that letter is none but her. Raja hands over his love letter to her at Bandra station and it was misplaced while she was traveling in train. Roja hands over her a love letter to him next day at Bandra station, which too was somehow misplaced. Raja starts thinking that Roja is not loving him as she did not respond to his lover letter. Same is the case with Roja. As viewers are squirming in seats with tension, Raja comes to know that Roja is the daughter of Ramachandra. By that time Gupta fixes the marriage talks with RamaChandra. A disheartened Raja finally decides to favor his mentor to his lover. Raja asks Ramakrishna why Ramakrishna pampers Raja so much. Ramakrishna tells his flashback about his pathetic travails of childhood (Incidentally the cement bench on which RamaKrishna spotted Raja, was his first destination in his childhood). At the same time RamaKrishna asks Raja if his daughter will agree to marriage. Raja says that she is going to agree. Meantime Roja sends Raja an email telling that his dad is willing her to get married to some guy and she loves Raja. Raja promptly responds to her mailing that explaining that Roja misinterpreted the Raja friendship as love and he is not interested. So stage is set now for the grand climax. We are aware that Raja and Roja love eachother very deeply. Raja can never ditch his mentor for his love. Ramachandra will never get Roja married to jr. gupta if he comes to know that Raja and Roja each other. Roja cannot say no her dad. Will Raja gets married Roja? Will Roja gets married Gupta? Or is there a sad ending with Roja or Raja dying? Will Ramakrishna come to know that Raja loves none but his daughter? .... well ... questions are galore! But you must watch this film on big screen to know the answer.
2.16.2008
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Chintamani (1956) |
Banner: Bharani Pics
Director: P.S. Ramakrishna Rao
Music: P. Bhanumathi, Addepalli Rama Rao
Story: Ravoor Venkata Satyanarayana Rao
Lyrics: Ravoor Venkata Satyanarayana Rao
Cinematography: Sridhar
Cast:
P. Bhanumathi,
N.T. Rama Rao,
Jamuna,
S.V. RangaRao,
Relangi Venkatramaiah,
Kalyanam Raghuramaiah,
Rushyendramani,
Lakshmikantam
Story: Bharani Studios' remake of Y.V. Rao's Tamil mythological, Chintamani (1937). Chintamani (Bhanumathi), forced into prostitution by her mother, falls in love with the merchant Bilwamangal (NTR). The latter reciprocates her feelings, which leads to much tragedy, revealed in mystical imagery: his wife's corpse and a python help Bilwamangal cross a river to be with his beloved. Chintamani is disillusioned, prompting the gods Krishna and Rukmini to descend to earth to show her the right path. The legend was filmed repeatedly, some versions presenting it as a biography of the saint poet Surdas (Homi Master's silent Bilwamangal, 1929; Madan Theatres' Bilwamangal, 1932).
Most Hindi and Bengali versions tell the story from the male perspective, following Girish Ghosh's famous play Bilwamangal (1886), but the South Indian films narrate Chintamani's tale. Although at times accused of plagiarising C. Ramchandra's Hindi compositions from Azad (1955), Bhanumathi's score is successful (e.g. Ravoyi ravoyi, Punnami chakorinoyi). Kannada actress B. Saroja Devi repeated the title role the following year.



