Athanokkade (2005)

Release Date: 7th May 2005
Banner: NTR Arts
Direction: Surender
Music: Mani Sharma
Story: Surender
Screenplay; Surender
Dialogues: Maruchuri Raja
Lyrics: Chandrabose, Sai Sri Harsha, Chinni Charan & Bandaru Danayya
Cinematography: C Ram PrasadThrills: Stun Siva
Art: P Narayana Reddy
Producer: Janakiram Nandamuri

Cast:
Kalyan Ram,
Sindhu Tolani,
Prakash Raj,
Asish Vidyardhi,
Brahmanandam,
Venu Madhav,
Chandra Mohan,
Surya,
Ajay,
Ramireddy,
Chalapati Rao, Ahuti Prasad,
GV Sudhakar,
Raghu Babu,
Dharmavarapu Subramanyam,
Devi Charan,
Rajya Lakshmi,
Sudeepa.
Story: Ram (Kalyan Ram) and Anjali (Sindhu Tolani) have got a single mission in their lives. That is to assassinate menacing mafia guy Anna (Asish Vidyardhi) and his henchmen Abdul (Raghu Babu) and Sada (GV Sudhakar). The story of the film is about why they decided to assassinate baddies and how they accomplished it.

Avunanna Kadanna (2005)

Release Date: 6th April 2005
Banner: Lakshmi Productions
Direction: Teja
Music: RP Patnaik
Story: Teja
Screenplay: Teja
Dialogues: Teja
Lyrics: Kulasekhar
Cinematography: Sameer Reddy
Choreography: Shankar
Thrills: Horseman Babu
Editing: Marthand K Venkatesh
Art: Narayana Reddy
Producer: Atluri Purnachandra Rao
Cast:
Uday Kiran,
Sada,
Dharmavarapu Subramanyam,
Suman Setty,
Pilla Prasad,
Rallapalli,
Duvvasi Mohan,
Sangeeta,
Ramaprabha,
Sravya,
Nirmala Reddy,
Rajendra & Rajababu
Story: Mangaraju (Pilla Prasad) is the dreaded landlord of Lanka. He forcibly grabs the lands and farms of farmers in Lanka. In the process, he grabs the land of Ravi's father. Ravi (Uday Kiran) grows up in a nearby village. After growing up, he returns to Lanka to claim his land. He gives dappu performance on the birthday of Mangaraju and impresses him. When Mangaraju asks him what gift he wants, Ravi asks for his rightful land that was grabbed by him 20 years ago. Mangaraju in trying to keep his word, gives back 5 acres of land. Ravi starts ploughing this land. He also falls in love with a village belle Aravinda (Sadaf). And incidentally Aravinda happens to be the grand daughter of Mangaraju. Mangaraju who disapproves of this love, separates them. The entire second half is all about how Ravi and Aravinda reunite to get married.

KRISHNA LYRICS

Director: VV Vinayak
Producer: DVV .Danaya
Cast: Ravi Teja, Trisha, Chandramohan, Venu Madhav, Brahmanandham, Shayaji shinde, Mukul Dev, Jayaprakash Reddy, Ms Narayana, Sunil and others.
Lyricist: Chandrabose

IF WANT TO DOWNLOAD THE AUDIO OR VIDEO FOLLOW THE LINKS:

AUDIO------CLICK HERE
VIDEO------CLICK HERE

1.ADARAGOTTU:
Singer(s):Vaasu, Shivani
Adaragottu kottu kottu bedaragottu bidiyanne
chedaragottu kottu kottu viragagottu virahanne
mangalyam tantuna mantrale chadavana
mogudalle maarana muripalne penchana
e maatram chaluna inka koncham penchana
hey e maatram chaluna inka koncham penchana
e maatram chaluna inka koncham penchana ||Adara

a na chempalanodileyyava
re ringuvai na gunde tadipeyyava
o golusuvai na paitanu patteyyava pinnesunuvai
e cheekati kanipinchana
o poddunai nee bayamunu tholaginchana
tayyattunai ne dari lo vyapinchana agarottinenai
chethe pattey bongaramayyi
naatho tirigey vungaramayyi
volle mosay pallakivayyi
nanne laage pattavoyi
vookodutu cherana voodigame cheyyana
voopiriga maarana vooyalane voopana
e maatram chaluna inka koncham penchana
hey hey e maatram chaluna inka koncham penchana
hey e maatram chaluna inka koncham penchana ||Adara

na sandekocheyyava aparanjivai
na daaham teercheyyava sirapunjavai
na notiki ruchuliyyava naarinjaneevai
nee vaakita kuriseyyana nee jallunai
e ratriki daricherana rasagullunai
nee yaatana tagginchana vadagallunenai
arogyaniki mullangivai aanandaniki sampangivai
sangeethaniki saarangivai rave rave ardaangivai
kalam anthana paruvasam panchana
vuha anipinchana vunga tinpinchana
e maatram chaluna inka koncham penchana
e maatram chaluna inka koncham penchana
e maatram chaluna inka koncham penchana hey

2.DIL MAANGE MORE:
Singer(s):Kunal, Ganjawala, Mahalakshmi
Dil maange more more||2
innallu bore bore ivvale jore jore
patta patta ne phone number
patta patta ne door number
pattina de a gundeku ayye punture
chitti navve centimeter
potti nadume millimeter
yetta nannu petesthave torture
a a a a a a a a a a a a a ||dil maange

baara ekbaara neekooda ippinchali
aada mari eeda ne nedai kanipinchali
nanu munchesthave nelo ni bondapada
tega penchesthave naalona gunde dhada
ne neede choosale ne speede choosale
ne thoda thoda champesthe
nuvvu theda theda hey
a a a a a a a a a a a a a ||dil maange

nanne mari nanne mixilo rubbesave
manase na manase chemcha tho thodesave
o jentleman vunnane ninnatiki
nannu mental gadila marchesave aakariki
nuvvante panthahey
ne thote thantahey
na vente itta paduthunte
ne temptaipothale
a a a a a a a a a a a a a

3.MURIPINCHE MAINA:
Singer(s):Farid, Kousalya
muripinche maina o main maina maina
manasodilesane neelonaa..
muripinche maina na main maina maina
matiparesaane nepainaa..
nuvv choosthe ne chedipothunna
nekai ne padi chasthunna
netho ne nadichostana hoyna
cheyvesthe ne chilakouthunna
ratre ne balinouthunna
chesthe ne chelimouthunna sarena
tulagja tulagja tulagja lagja lagja lagja sonaa
tulagja lagja lagja jaane jaana.. ||muripinche

nacheva nuvve naaku saana saana
icheyna nene neeku rajyalaina
e rajyam kanna na sodyam minna
yama darjagunna thana nijam minna
pona pona varadalle pongipona
pona pona veyyellu yeli pona
tulagja tulagja tulagja lagja lagja lagja sonaa..
tulagja lagja lagja jaane jaana.. ||muripinche

teppistha neekai nenu merupula mena
kuripistha neepai nenu tarala vaana
a merupulla kanna a tarala kanna
neemagasiri minna na muddula kanna
jana jana kajeyyanna kajana
kaana kaana kougilla bandikaana
tulagja tulagja tulagja lagja lagja lagja sonaa
tulagja lagja lagja jaane jaana.. ||muripinche

4.NEE SOKU MAADA:
Singer(s):Chakri
Nee soku maada ammo ni jimmadaa
tippukuntu tirigaave nee vompulu voodipadaa..||2
ne donga choopu chebuthunde
ne rangu pedavi chebuthunde
tikka nadaka chebuthunde
taitakka nadumu chebuthunde
na paina e prema noorara chepparaade nee noru manda ||Nee soku

eppudepude inkepude neeku naakoka linkepude
eppudepude love eppude nelo vontiki jivvepude
vayasai pothe vudike ice ayipothe
moje pothe korika closeayi pothe
merupouthundi talloni juttu
vadulouthundi vontloni pattu
anavasaranga cheyyoddu bettu
andalanni nachetha bettu athi cheyyakunda
ne soku maada ammo ni jimmada ||Nee soku

anthele anthele aadollantha anthele
pai paine panthale lo lo thaka din dinthale
vadiley ante ardam inkaa vaatey
normooy ante ardam pedave kalipey
kasiravante kavvinchinattu
vodigavante vusigolipinattu
tittavante terateesinattu
kottavante karuninchinattu taka din thana thana

5.TARATTHA YETTUKU POTA:
Singer(s):Raghu Kunche, Kousalya
Tarattha yettuku potha Tarattha hattuku potha
Tarattha ithadi chestha give me chance give me chance
Tarattha mantara mestha Tarattha mattekistha
Tarattha picchkistha give me chance give me chance
o baby o baby satta choopistha baby
o baby o baby cellpartner istha baby
na korikanantha o kodavali chestha
ne kulukulu mottham ne kosukupotha
rara krishna ra krishna panileni funny krishna
chipo krisha silly krishna paruvanni alley krishna ||tarattha

yendalona muddistha mari vaanalona vaatestha
ika yendavaana kalisosthe a pandu chetikistha
vuttarana voopistha ninnu dakshinana dulipestha
ika vaasthu choosukokunda nee asthi karagadeestha
nee dookudu taggistha
naa chadugudu adistha
pillado ne tippalu pedatha
pillado sari haddulu pedatha
pillado ninnu alladistha aadistha
pillo ne thonadara pedatha
pillo ne pantham padatha
pillo nee pai paikostha peedistha
ra ra krishna ra ra krisha mechavu rowdy krishna
ok krishna happy krishna loveteepikore krishna ||tarattha

voorukunte vokatistha nuvvu korukunte rendistha
a moodu mullu nuvvu vesthe naa yeedu dimmaristha
aduguthunte intistha nuvv adagakunte konthaistha
naa adugulona adugesthe bratukantha daarapostha
naa naa naa gadapanu daatostha
raa raa raa raku full takestha
pillado nee cheyye padatha pillado muripale padatha
pilladosagapalai potha laalistha ho ho
pillo nee paruve potha pillo yeda baruve vestha
pillo pillodini istha tappistha
ra ra krishna ra ra krisha mechavu nauty krishna
jaldi krisha jaldi krishna nee prema naade krishna ||tarattha

6.TU MERA JILL JILL:
Singer(s):Udit Narayan, Sadhana Sargam
Tu mera jill jill o priyatama
tu mera manjill o nesthama||2
tu meri thontari thanama tu meri voopiri gunama
tu meri teeyyani danama tu meri jeevana swarama
tu hi mera sarwaswama
ammamma ammamma tholi prema
ammamma ammamma chirunama
ammamma ammamma yama dheema
ammamma ammamma hare raama ` ||Tu mera

na badi nuvve na jadi nuvve
na vodi nuvve ga niyyamma kudi nuvvega
na na na na na sitha nuvve na jatha nuvve
padanisa navvega paduchu nasa nuvvega
keechulaata nuvve gichulaata nuvve
nuvvega jala doorama
nuvve teelika haarama
tu he mera aadharamaa
mamama mamama tholi prema
mamama mamama chirunama
mamama mamama yama dheema
mamama mamama hare raama ||Tu mera

na siga nuvve na sega nuvve
na poga nuvvega cholikepada nuvvega
arey rey rey rey
na siri nuvve na sari nuvve
na sari nuvve ga asalu guri nuvvegaa
kattivaina nuvve poola guttivaina nuvve
nuvve manasuku mantrama nuvve sogasula yantrama
tuhi mera sayantrama
mamama mamama tholi prema
mamama mamama chirunama
mamama mamama yama dheema
mamama mamama hare raama ||Tu mera

RAMAKRISHNA

Rate of Birth:
15 October 1939, Bhimavaram, Andhra Pradesh, India
Date of Death:
22 October 2001, Chennai, Tamilnadu, India.
Trivia:
Worked as a tailor before acting.

Filmography
Jump to filmography as: Actor, Camera and Electrical Department
Actor:
1. Paagalpan (2001) (as Ramkrishnan) .... Clerk
2. Mrityudaata (1997) (as Ram Kishan)
3. Sri Shirdi Saibaba Mahathyam (1986) .... Aayaram
4. Tandra Paparayudu (1986) .... Rangarayadu
5. Jeet Hamaari (1983) (as Ramakrishnan)
6. Ranganayaki (1981) .... Husband of Actress
7. Shri Vinayaka Vijayam (1980) .... Lord Vishnu
8. Katakatala Rudraiah (1978)
9. Mangalyaniki Maromudi (1976)
10. Devude Digivaste (1975) .... Lord Srikrishna
11. Yashoda Krishna (1975) .... Lord Krishna
12. Bhakta Tukaram (1973) .... Lord Vishnu
13. Badi Panthulu (1972)
14. Bomma Borusa (1971) .... Sundaram
15. Ranabheri (1968)
16. Shri Krishnavataram (1967/I) .... Arjuna
17. Sri Sri Sri Maryada Ramanna (1967)
18. Bhishma (1962) .... Arjuna
19. Bhakta Shabari (1960/I)
20. Mangalyam (1960)

Camera and Electrical Department:
1. Aakhree Raasta (1986) (assistant camera) (as Raju-Ramakrishna)

TATINENI RAMARAO

Date of Birth:
1938, Kapileswaram, Andhra Pradesh, India
Trivia:
Cousin of T. Prakash Rao
He was very well known hindi film director.
Filmography
Jump to filmography as: Director, Second Unit Director or Assistant Director, Producer, Writer
Director:
1. Beti No. 1 (2000) (as T. Rama Rao)
2. Bulandi (2000) (as T. Rama Rao)
3. Sautela (1999)
4. Jung (1996) (as T. Rama Rao)
5. Hathkadi (1995)
6. Ravan Raaj: A True Story (1995)
7. Mr. Azaad (1994) (as T. Ramarao)
8. Mera Pyara Bharat (1994)
9. Muqabla (1993) (as T. Rama Rao)
10. Golmaal Govindan (1992)
11. Pratikar (1991)
12. Talli Tandrulu (1991)
13. Muqaddar Ka Badshaah (1990)
14. Laila (1989/II)
15. Majboor (1989)
16. Sachai Ki Taqat (1989)
17. Khatron Ke Khiladi (1988) (as T. Rama Rao)
18. Agni Keratalu (1988)
19. Nyayaniki Siksha (1988)
20. Insaf Ki Pukar (1987) (as T. Rama Rao)
21. Sansar (1987) (as T. Rama Rao)
22. Presidentgari Abbayi (1987)
23. Watan Ke Rakhwale (1987) (as T. Rama Rao)
24. Naache Mayuri (1986) (as T. Rama Rao)
25. Dosti Dushmani (1986) (as T. Rama Rao)
26. Naseeb Apna Apna (1986)
27. Sadaa Suhagan (1986)
28. Haqeeqat (1985)
29. Pachani Kapuram (1985) (as T. Rama Rao)
30. John Jani Janardhan (1984) (as T. Rama Rao)
31. Inquilaab (1984) (as T. Rama Rao)
32. Yeh Desh (1984)
33. Mujhe Insaaf Chahiye (1983)
34. Andhaa Kanoon (1983) (as T. Rama Rao)
35. Mugguru Monagallu (1983)
36. Jeevan Dhaara (1982) (as T. Rama Rao)
37. Anuraga Devatha (1982)
38. John Jafar Janardanan (1982)
39. Main Intequam Loonga (1982)
40. Yeh To Kamaal Ho Gaya (1982) (as T. Rama Rao)
41. Ek Hi Bhool (1981) (as T. Rama Rao)
42. Illalu (1981)
43. Aatagadu (1980)
44. Judaai (1980) (as T. Rama Rao)
45. Maang Bharo Sajana (1980) (as T. Rama Rao)
46. Lok Parlok (1979)
47. Amara Prema (1978)
48. Shri Rama Raksha (1978)
49. Aalu Magalu (1977)
50. Aatmiyudu (1977)
51. Raju Vedale (1976)
52. Yamagola (1975)
53. Devudu Chesina Pelli (1974)
54. Dora Babu (1974)
55. Jeevana Tarangalu (1973)
56. Marapurani Manishi (1973)
57. Bharya Biddalu (1971)
58. Raitu Kutumbam (1971)
59. Suputhrudu (1971)
60. Bhale Rangadu (1969)
61. Manchi Mithrulu (1969)
62. Brahmachari (1968/II)
63. Challani Needa (1968)
64. Nadimantrapu Siri (1968)
65. Navarathri (1966)

Second Unit Director or Assistant Director:
1. Manashulu Mamatalu (1965) (assistant director)
2. Kula Gothralu (1962) (assistant director)
3. Bharya Bharthalu (1961) (assistant director)
4. Illarikam (1959) (assistant director)

Producer:
1. Arul (2004) (producer) (as T. Rama Rao)

Writer:
1. Judaai (1980) (screenplay) Overview

Konchem Touchlo Vunte Cheputanu (2004)

Release Date: 4th December 2004
Banner: VMC
Presenter: V Doraswami Raju
Direction: Vamsi
Music: Chakri
Story: Sankaramanchi Pardhasaradhi
Screenplay: Vamsi
Dialogues: Sankaramanchi Pardhasaradhi
Lyrics: Vennelakanti:
Cinematography: Raghu MV
Choreography: Sridhar Reddy
Thrills: Raju
Editing: Basva Paidy Reddy
Art: DY Satyanarayana
Producer:V Vijay Kumar Varma

Cast:
Sivaji,
Veda,
Prakash Raj,
MS Narayana,
Brahmanandam,
Krishna Bhagawan,
Jeeva,
Venu Madhav,
Suman Setty,
Chitram Seenu,
AVS,
Ali,
Kondavalasa,
Surya,
Jogi Naidu,
Kanchi,
Duvvasi Mohan,
Melkote,
Raja Sridhar,
Sudarshan,
Bhuvana,
Draksharamam Saroja,
Apoorva,
Madhu,
Archana Roy,
Bank Suresh,
Krishneswara Rao,
Prasada Murthy

Story: Kalidasu (Sivaji) is fed up with his financial situation and resorts to ending his life. But he is saved by JK (Prakash Raj) in the last moment. JK promises to give all the money Kalidasu needs without any strings attached. JK runs a secret trust that helps the victims in distress who resorts to the act of suicide
Kalidasu notices Alakananda (Veda) on a TV program and falls in love with her at the first sight. Alakananda runs a flower boutique for work satisfaction though she is a daughter of a millionaire. Kaludasu proposes to Alakananda. She tells him to befriend her for a few days so that she could know more about Kalidasu before taking a decision. As Kalidasu try to get closer to Alakananda, the things between them get worse. The rest of the film is about whether Alakananda accepts Kaludasu's proposition or not.

KAANI (2004)

Release Date: 26th November 2004
Banner: Creative Minds
Presenter: C Mahendranadh
Direction: Abhinav Velagaleti
Music: Sashi Kumar
Screenplay: Abhinav Velagaleti
Dialogues: Vara Prasad - Rambabu
Cinematography: SD John
Producer: Chandranath C
Cast:
Sai Kiran,
Meera,
Jyoti,
Sameer,
Preeti Nigam,
Karan,
Ram Jagan,
Gokina Rama Rao,
Narasimha Raju

Story: Karthik (Sai Kiran) is a psychiatrist and is happily married to Anjali (Jyoti). One day, an unsatisfied patient visits Karthik house and shoots Karthik and then shoots himself. After this incident, Karthik starts working on a new patient called Priya (Meera). At the same time, his marital relationship with his wife Anjali is on the rocks. After deliberate consultation, Priya reveals to Karthik that she is cursed with the gift of seeing the dead people (atmalu). The rest of the film is about how Karthik solves the problem or Priya and there by helps himself.

EV SAROJA

Starting her film career acting as M.G. Ramachandran's sister in the film `En Thangai' in 1951, she made her mark in films such as `Gulebagavali', `Veera Thirumugan' and `Madurai Veeran'. She acted in 40 films and danced for numbers in nearly 100 Tamil, Telugu, and Hindi movies and one Sinhala movie.
E.V.Saroja, the dancing star of Tamil cinema passed away recently. A dedicated dancer and actor, attractive and shapely she worked hard on her scenes. She was a charming presence in many successful Tamil movies during the Fifties and Sixties. She alsoplayed strong, supporting roles in Tamil and Telugu hits. She made waves with her first acting role (as the kid sister) in `En Thangai' (1952).It was a mega hit and launched her on the path to stardom.
`En Thangai,' a play written by ' En Thangai' Natarajan, was a hit in the early 1950s in which the lead was played by the then struggling actor Sivaji Ganesan, while the screen role was done by M.G.Ramachandran!
Not many are aware that MGR was not the first choice for playing the hero. The hero was the well-known off-screen playback singer Tiruchi Loganathan. For some reasons Loganathan was replaced by MGR.
Attempts were made to rope in Sivaji Ganesan to repeat the stage role but by that time he was already cast in his debut movie, `Parasakthi' (1952), which became a smash hit.
Both had similar story lines built around a brother's love for his unhappy sister.
As the girl blinded by lightning, young Saroja displayed impressive histrionics in her debut film and MGR who had made a name for his non-action role in `Andamaan Kaithi' proved that he was a good actor.

Saroja's performance paved the way for the film to be re-made in Telugu, Hindi, and Oriya.

WITH LEADING HEROES: Saroja with MGR
Saroja hailed from Enkann, a village in Thanjavur district, well known for its attractive women belonging to the traditional community of temple dancers. With her good looks and figure and the family connections she moved to Madras and underwent rigorous training in dance under the nattuvangam maestro and icon Vazhuvur B. Ramaiah Pillai.
The success of `En Thangai' brought Saroja many meaty roles in Tamil movies. Some of her famed movies of that period include `Gulebagavali' (1955), `Pennarasi' (1955), `Amara Deepam' (1956), `Paasavalai' (1956), `Madurai Veeran' (1956), `Karpukkarasi' (1957), `Rambayin Kaathal' (1956), `Enga Veettu Mahalakshmi' (1957), `Thanga Padhumai' (1959) and `Veera Thirumagan' (1962, the impressive directorial debut of the noted multi-lingual filmmaker A.C.Thirulokchandar). .
In these movies she acted with top stars such as MGR, Sivaji Ganesan and Gemini Ganesh.
Her success in Tamil films took her to Telugu cinema and she played interesting roles in movies such as `Iddharu Mithrulu' (A. Nageswara Rao was the hero).
Soraja with Gemini Ganesan.
As she did not know Telugu her lines were phonetically written in Tamil and she was actively guided by the celebrated filmmaker K. Viswanath who was then an assistant under famed Telugu director Adurthi Subba Rao. Her role attracted much attention.
Choreographer too
Besides acting, she choreographed dances for a couple of Telugu films and danced in several movies.
`Neelamalai Thirudan' (1957), an action movie produced by Chinnappa Thevar in which Ranjan played the lead role was dubbed in Hindi as `Matwala.' She turned producer during the 1960s in association with her brother E.V.Rajan and established EVR Pictures and produced films like `Koduthuvaitha Deivam' (MGR as hero) and `Thanga Surangam' (Sivaji Ganesan played the lead).

In many movies she was ably directed by the noted filmmaker Ramanna whom she married. The couple had two daughters.
A warm and friendly person, she was extremely popular in the fields of films and dance. Her friends and admirers of yesteryear will miss her greatly....

Filmography
Actress:
1. Velugu Needalu (1964)
2. Chaduvukunna Ammayilu (1963) .... Latha
3. Intiki Deepam Illalu (1961)
4. Iddaru Mitrulu (1961)
5. Appu Chesi Pappu Koodu (1958) .... Dancer
6. Suvarna Sundari (1957/I) .... Parvathi
7. Bhagya Rekha (1957)
8. Veera Kankanam (1957)
9. Bhale Ramudu (1956) .... Dancer in the song 'Nanyamaina'
10. Penki Pellam (1956)

SUNDARANGUDU(2004)

Release Date: :26th November 2004
Banner: SP Films
Direction: Sashi Kumar
Music: Yuvan Shankar Raja
Story: Sashi Kumar
Screenplay: Sashi Kumar
Dialogues: Rajasekhar Reddy
Cinematography: Ratnavel
Producer: N Jayasree
Cast:
Surya,
Jyothika,
Vivek,
Devan,
Manorama,
Malavika,
Thalaivasal Vijay,
Manobala,
Manicka Vinayagam,
Bhabi,
Kalai Rani
Story: Chanti (Surya) is an ugly-looking hunchback (goonivaadu). Though his appearance is bad, he is very good at heart. He extends his help to everybody he comes across. Kamala (Jyotika) is a blind girl, who seeks the help of Chanti in the troubled time. Karthik (Surya) is a handsome hunk who is in love with Priya (Jyotika), daughter of a police commissioner (Devan).
Karthik and Priya decide to elope as Priya's father is against their love. They seek the help of Chanti. In the process, Priya is killed by a criminal. Chanti witnesses this gory incident. However he maintains his silence, as he fears for his life. Karthik is held responsible for Priya's death. Meanwhile, Priya who was a voluntary eye-donor, has her eyes transplanted to KamalaKarthik comes to know about Priya's eyes and visits Kamala. Kamala happens to see Karthik first and mistakes him to be Chanti. Chanti - suffering from inferiority complex - evades from Kamala fearing that she would not accept him in her life because he is hunchback and unattractive. The rest of the story is about whom Kamala weds and how Karthik seeks revenge on his lover's killer.

DHULIPALLA SEETARAMA SASTRY

Overview
Date of Birth:
24 September 1921, Dachepalli, Andhra Pradesh, India
Date of Death:
13 April 2007, Guntur, Andhra Pradesh, India.
Dhulipala Seetharama Sastry Was a great stage artist.he played so many mythalogical characters on stage.he was very famous for sakuni role.
Filmography
Actor:
1. Choodalani Vundi (1998)
2. Daana Veera Shura Karna (1977) .... Sakhuni
3. Seeta Kalyanam (1976) .... Vasishta Mahamuni
4. Sita Swayamvar (1976) .... Vishwamitra
5. Gunavanthudu (1975)
6. Andala Ramudu (1973) .... Secretary
.7. Bala Bharatam (1972) .... Sakhuni
8. Mattilo Manikyam (1971)
9. Balaraju Katha (1970)
10. Aatmiyulu (1969) .... Veerayya
11. Bandhavyalu (1968) .... Brother of main character
12. Undamma Bottu Pedata (1968)
13. Bobbili Yudham (1964) .... Narasarayalu
14. Narthanasala (1963)
15. Sri Krishnarjuna Yudham (1963) .... Gayudu
16. Mahamantri Timmarasu (1962)
17. Bhishma (1962) .... Duryodhana
18. Maya Bazaar (1957/I)

Chanti (2004)

Release Date: 12th November 2004
Banner: Vijaya Bala Productions
Presenter: KC Sekhara Babu
Direction: Sobhan
Music: Sri
Story: Sudha Satti
Screenplay: Shajahan Ravi & Vivek
Dialogues: Gopi Venkatesh
Lyrics: Veturi & Sirivennela
Cinematography: Prasad Murella
Thrills: Ram Lakshman
Editing: Kotagiri Venkateswara Rao
Producer: Krishna Kishore
Executive producer: Raja Ravindra
Cast:
Ravi Teja,
Charmy,
Anjali,
Atul Kulakarni,
Ranganadh,
Subba Raju,
Dharmavarapu Subramanyam,
Revathy,
Benarjee,
Raghu Babu,
Venu Madhav,
MS Narayana,
Lakshmipati,
Narra,
Malladi Raghava,
Raja Ravindra & Mallikharjuna Rao
Story: Chanti (Ravi Teja) is one of the top notch performers in Indian military. Chanti visits his hometown for the funeral of his father Madhava Rao (Ranganath), an ex-military officer. Chanti has a blind sister (Revathy) to take care of. He decides to stay for a while and marry off his sister. He has a land of 5 acres. This land would become a block in the proposed road leading to the sugar factory that the local MLA (Atul Kulakarni) acquires. Chanti refuses to sell off his land as it has sentimental value; since his father was buried in that place. This incident leads to a war between Chanti and local MLA. Chanti marries off his sister to his colleague at military (Raja Ravindra). Chanti's brother-in-law gets killed by the MLA. Then it is revealed that Chanti's father was also killed by the same MLA. The rest of the story is all about how Chanti takes revenge on him.

ANAND LYRICS

Banner: Amigos Creations
Cast: Raja, Kamalini Mukherji, Anish Kuruvilla, Satya, Baby Bakita, Master Abhijit, Chandana, Gururaj, Bharat, Ali, Patel, Pruthvi, Meenakshi, Gopi
Music: KM Radha Krishnan
Director : Sekhar Kammula

WANNA.....DOWNLOAD THE SONGS CLICK HERE

1.CHARUMATI:
Singer(s): Lyrics:
chaarumati #I Love you#
chandra mukhi #I Love you#
chaarumati #I Love you#
chandra mukhi #I Love you#
roopavati #I Love you#
nEnu neekE yekalavyu
#a e i o u I Love you#
#Love you
Love you#

yedanE neevu nidurE lEpi yedurayinaavu toli prEmallE
kunukE raani ulukai teepi kalavai naavu yeda neeDallE
aDigaa ninnu varamistaavaa
viDigaa nannu vadilEstaavaa
#Yes or No Yes or No#

#Flower# ai vacchi colorE icchi vikasinchaavu toli voohallO
chelimai vacchi chEligaa nacchi vusigolpaavu nadi jhaamullO
kshaNamE nEnu yuga moutaavaa
sakhivai naaku saga moutaavaa
#Yes or No Yes or No#

2.YAMUNA TEERAM:
Singer(s): Lyrics:
yamuna teeram sandhya raagam
yamuna teeram sandhya raagam
nijamainaayi kalalu
neela renDu kanulalO
niluvaganE tEnellO poodaari yennellO gOdaari merupulatO

praaptamanukO ee kshaNamE bratuku laaga
panDenanukO ee bratukE manasu teeraa
Sidhilanga vidhinaina chEsEdE pREma
hRudayamla tananaina marichEdii pREma
maruvakumaa anandam aanandam aanandamaayETi manasu kadhaa
maruvakumaa anandam aanandam aanandamaayETi manasu kadhaa

okka chirunavvE pilupu vidhiki saitam
chinna niTToorpE gelupu manaku saitam
SisiramlO chali manTai ragilEdi pREma
chigurinche rutuvallE viraboosE pREma
maruvakumaa anandam aanandam aanandamaayETi madhura kadhaa
maruvakumaa anandam aanandam aanandamaayETi madhura kadhaa


3.NUVVENA NAA:
Singer(s): Lyrics:
nuvvEnaa naa nuvvEnaaa
nuvvEnaa naaku nuvvEnaa
sooryuDallE sooDi gucchi suprabhatamEnaa
maaTalaadE choopulanni mouna raagamEnaa
chEruvaina dooramaina aanandamEnaa
chEruvaina dooramaina aanandamEnaa..aa
aanandamEnaa aanandamEnaa
nuvvEnaa naa nuvvEnaa
nuvvEnaa naaku nuvvEnaa

mEghamalle saagi vacchi
daahamEdO penchutaavu
neeru gunDelOna daachi
merisi maayamoutaavu
kalalEnaa kanneerEnaa
tEneTeega laaga kuTTi
teepi manTa rEputaavu
puvvu laanTi gunDelOna
daaramalle daagutaavu
nEnEnaa nee roopEnaa
chEruvaina dooramaina aanandamEnaa
chEruvaina dooramaina aanandamEnaa
aanandamEnaa aanandamEnaa

kOyilalle vacchi yEdO kotta paaTa nerputaavu
komma gontulOna gunDe koTTu kunTe navvutaavu
E raagam idi E taaLam
masaka yennelalle neevu
isuka tinne chErutaavu
gasa gasaala kougilinta
gusa gusallE maarutavu
prEmanTE nee prEmEnaa
chEruvaina dooramaina aanandamEnaa
chEruvaina dooramaina aanandamEnaa
aanandamenaa aanandamEnaa

4.VACHE VACHE:
Singer(s): Lyrics:
vacchE vacchE nalla mabbullaaraa
gicchE gicchE pilla gaalullaaraaa
vacchE vacchE nalla mabbullaaraa
gicchE gicchE pilla gaalullaaraaa
kaLLalOna pOngutunna baadhalEnnO maakunnai
gundElOna daachukunna gaadhalennO maakunnai
teerustaara baadha teerustaaraa
gaali vaana laali paDEstaara

pilla paapala vaana
bulli paDavala vaana
chaduvu baadhalE teerchi selavulicchina vaana
gaali vaana kabaDDi
vEDi vEDi pakODi
eeDu jODu di di Dhi
tODunDaali O lEDi
indra dhanassulO taLuku mane yenni rangulO
inTi sogasulE taDisinavi neeTi kongulO
Sraavana maasaala jala tarangam
jeevana raagaala kidi O mrudangam

kOri vacchinaa ee vaana
gOru vecchanayi naalOna
muggula siggu musirEstE
muddu laaTidE muripaalaa
merisE merisE andaalu
taDisE taDisE paruvaalu
gaali vaanalaa pandiLLu
kougilintalaa peLLiLLu
nemali eekalO uliki paDE yevari kannullO
chinuku chaaTunaa chiTikElatO yeduru choopulO
nallani mEghaala merupulandam
teerani daahaalaa valapu pandem

5.YEDALO GAANAM:
Singer(s): Lyrics:
yedalO gaanam pedavE mounam
selavannaayi kalalu selayEraina kanulalO
merisEnilaa Sree ranga kaavEri saaranga varNaalalO alajaDilO

kaTTu kadhalaa ee mamatE kalavarintaa
kaalamokkaTe kalalakaina pulakarintaa
Sila kooDa chigurinche vidhi raamayaNam
vidhikaina vidhi maarche kadha prEmaayaNam
maruvakumaa vEsangi yenDallO poosETi mallelO manasu kadhaa
maruvakumaa vEsangi yenDallO poosETi mallelO manasu kadhaa

Srii gowrii chigurinche siggulennO
Srii gowrii chigurinche siggulennO
poochE sogasulO yegasina voosulu
moogE manusulO avi moogavai
taDi taDi vayyaraalennO
priya priya anna vELalOna SRii gowrii

CHITRAPU NARASIMHA RAO

Telugu director born in Masulipatnam, AP. Owner of a family printing press in Masulipatnam printing a.o. cheap calendar art and film publicity leaflets. Pioneer director of mythologicals codifying the genre at Vel Pics. Assisted H.M. Reddy on Telugu film's first talkie, Bhakta Prahlada (1951), and then Baburao Pendharkar in Prabhat Studio's first foray into Tamil cinema, Seeta Kalyanam (1933), remaking it the following year in Telugu. His version was Vel's inaugural production. After working witli Prabhat's technical units, he stressed the importance of sound technology, influencing Vel Studio's pioneering shift to sound production. Younger brother Chitrapu Narayanamurthy also became a film director.

FILMOGRAPHY

1934: Seeta Kalyanam

1935: Shri Krishna Leelalu

1936: Sati Tulasi

1957: Mohini Rugmangaaa

1938:Jarasandha

1959:Jayapradha

P S RAMAKRISHNA RAO

P.S. Ramakrishna Rao(HUSBAND OF BHANUMATHI)
Date of Birth:
12 October 1918, Kurnool, Andhra Pradesh, India
Date of Death:
7 September 1986, Madras, Tamil Nadu, India.

Filmography
Jump to filmography as: Director, Producer, Writer
Director:
1. Grihalakshmi (1967)
2. Vivaha Bandham (1964)
3. Anubandhalu (1963)
4. Atma Bandhuvu (1962)
5. Batasari (1961)
6. Kanal Neer (1961)
7. Sabash Raja (1961)
8. Manamagal Thevai (1957)
9. Varudu Kavali (1957)
10. Chintamani (1956)
11. Vipranarayana (1954)
12. Chakrapani (1954)
13. Bratuku Theruvu (1953)
14. Kathal (1952)
15. Prema (1952)
16. Laila Majnu (1949/I)
17. Laila Majnu (1949/II)
18. Ratnamala (1947)

Producer:

1. Grihalakshmi (1967) (producer)
2. Vivaha Bandham (1964) (producer)
3. Batasari (1961) (producer)
4. Varudu Kavali (1957) (producer)
5. Chintamani (1956) (producer)
6. Vipranarayana (1954) (producer)
7. Chakrapani (1954) (producer)
8. Chandirani (1953/I) (producer)
9. Chandirani (1953/II) (producer)
10. Prema (1952) (producer)
11. Laila Majnu (1949/I) (producer)
12. Ratnamala (1947) (producer)

Writer:

1. Grihalakshmi (1967)

AKKINENI NAGESWARA RAO

Akkineni Nageswara Rao (born September 20, 1924 at Venkataraghavapuram, Dist. Krishna, Andhra Pradesh), also known as ANR, is a film actor from Gudivada Andhra Pradesh. He is one of the first fully commercial Telugu Cinema heroes. His films include a diverse range of genres which include mythological, folk tale, social, adventure and drama. He is a contemporary to NTR who jointly shared popularity as one of the greatest telugu actors for almost 40 years. Nageswara Rao was awarded the Dadasaheb Phalke Award in 1990 for his lifetime contributions to Indian cinema. He is also a recipient of the Padma Bhushan and Padma Shri.He is the first person to cause the shift of Telugu film industry to Hyderabad, Andhra Pradesh from Chennai, Tamilnadu in an attempt to bring the native language to the heart of the Telugu community. Soon after moving to Hyderabad, Nageswara Rao founded his own production house, Annapoorna Studios located in Banjara Hills.He is noted for his class roles in the mid 1960's. His younger son Nagarjuna is also an actor in Telugu.
Even at the age of 83, Dr Akkineni Nageswara Rao still acts. He is specifically remembered in Andhra Pradesh for his biographical roles like Dr.Chakravarthy, Devadasu, Vipranarayana, Chakradhari, Tukaram, Kalidasu, Jayadeva, Tenali Ramakrishna, and Kshethrayya. Moreover he is popular as hero of many popular fiction novels which were made into films such as Doctor Chakravarthi, Prema Nagar, Secretary etc.Akkineni's Premabhishekam movie is one of the biggest Industry Hit movies in Tollywood. Premabhishekam has an amazing 533 days run in Hyderabad City which is still highest run in a city for telugu movies. Premabhishekam is the only film in telugu that went for 365+ days run directlyAkkineni Nageswara Rao is the living face of golden era of Telugu cinema. He endeared himself with four generations of people of Andhra Pradesh and is the face of Indian cinema too for outside world. His is a household name in true sense. Thanks to the boom of television channel industry, younger generation of audiences is exposed to these healthy and entertaining movies of Akkineni. Some in India and abroad possess as treasure, videos or CDs of his great films, like 'Devadas', 'Ardhangi', 'Laila Majnu', 'Maya Bazar', 'Vipranarayana' and many many more. Youth used to see ANR in themselves and imitated his style, hairdo and even posturing. Lucky that legendary singer Ghantasala too entered Telugu cinema almost with ANR. Ghantasala's rendition and ANR playing that role looked as 'made for each other'. Ghatasala's voice was more identified with ANR than any other artiste and hence almost all the films of ANR became great musicals too. "People's admiration and love were greater awards in themselves for me", he says.The major contributory factor for the everlasting image of this evergreen hero is that none in India or even in foreign land has such long screen innings as a hero, like ANR does. It is a record for any artiste to stay hero for more than six decades on screen.
ANR has always been an outspoken person. His observations on his life and career are so realistic that one feels he has studied the world well. His comment on social, political and cultural scenario is well studied. He is the most attractive speaker in all the functions he participates these days. He is a potential conversationalist. Life in the tinsel world provided him basic education. He says that institutions like Pratibha, Bharani, Sarada, Annapoorna, Jagapati and individuals like DL Narayana, Raghavayya, Bhanumathi, Dukkipati and many famous writers and poets constituted his university of learning. These learned men are comparable only to learned professors in any University. Playing a poet, a singer, a lover, an adventurer or a folklore hero means a lot of experience. As an actor, ANR transported himself into the role first and then into one who is capable of looking at life from all angles, analytically. He learned a lot and digested quite a bit of it.ANR braved many challenges. He is a critic's critic and is gifted with analytical mind. "One has to first understand and assess his own strong and weak points before accepting a role. I love a journalist who mirrors the true faults in performances of artistes. I keep a man away who always praises me," he says.He goes a bit philosophic and introspective. "What would have happened to me if Ghantasala Balaramiah did not notice me on the railway platform and looked other side while I was walking on the platform", he recalls. "It was a tryst with destiny or say was a matter of chance that I came into his view and that moment changed my destiny", he observes.He has his favorite artistes to cherish. Ashok Kumar and Dilip Kumar of Hindi cinema and Gregory Peck and Marlon Brando of Hollywood. But remember ANR has been a contemporary of these actors. There is a lot in his life for other artistes to learn. This actor, who was considered unfit for socials, after he figured in many folklores in the early period, ultimately proved he is a master at socials, historicals, mythologicals and devotionals like 'Vipranarayana'. ANR also takes credit even for the development of film industry in Andhra Pradesh. With him came many of his producers to Hyderabad. "All of us went to Madras from our state and developed the film industry there. Now we come back to our own state, to which we belong and will develop here in toto," says he. It happened. He is credited for many firsts – first who introduced hero dancing in cinema, call sheet diary system."'Maya Bazar' of KV Reddy is a lesson in cinematography art," he says. For him 'Donga Ramudu' is a social epic in cinema art. ANR described Adurti Subba Rao as a bridge between the old and new generations of directors. He brought changes in story narration, combining the values of the past with the present and narrating a story with the technical advancement. These are all firsts. For ANR the golden period for Telugu cinema was between 1950 and 1970.ANR is an engineer and architect within himself and a designer too, when it came to the construction of his studios. Annapoorna Studios is one of the best in Asia, with all the facilities, the lack of which in other studios, ANR worked in, put him to inconvenience. He is a man with great sense of discipline and perspicacity. A legend in his own lifetime.

FILMOGRAPHY
1940:
Dharmapatni
1942:
Seeta Rama Jananam

1945:
Mayalokam
1947:
Palnati Yuddbam;
Ratnamala

1948:
Balaraju

1949:
Keelugurram /Maya Kudhirai;
Laila Majnu;
Raksbarekha
1950:
Palletoori Pilla;
Shri Lakshmamma Katha;
Swapna Sundari;
Samsaram;
Paramanandayya Sishyula Katha

1951:
Prema/Kathal

1953:
Bratuku Theruvu;
Devadasu;
Kanna Talli/Petrathai;
Poongothai/ParadeshiVayyari Bhama
1954:
Chakrapani;
Annadata;
Nirupedalu;
Parivarthana;
Vipranarayana
1955:
Anarkali;
Ardhangi/ Pennin Perumai;
Missamma/Missiamma;
Rojulu Marayi;
Santhanam;
Vadina;
Donga Ramudu

1956:
Tenali Ramakrishna;
Bbale Ramudu;
Ilavelpu;
MatharKula Manikam/ Cbaranadasi

1957:
Thodi Kodallu;
Sati Savitri;
Maya Bazaar;
Allavudeenum Arputba Vilakkum/Allauddm Adbbuta Deepam/Alladdin Ka Chirag;
Suvarna Sundari;
Dongalo Dora

1958:
Bhukailasa;
Mantradandam;
Mayalamari/Mayakkari;
Saudamini;
Strisahasam;
Tilottama/ Mayamalai;
Ore Iravu

1958:
Bhukailasa;
Chenchulakshmi;
Shri Krishnamaya;
Aadapettanam;
Pelli-nati Pramanalu

1959:
angalya Balam/Manjal Magimai;
Pelli Sandadi/Kalyana Penn;
Athisaya Penn;
Jayabheri;
Kalyana Parisu;
Illarikam,
Kalaivanan;
Vazhkai Oppantham;
Daivame Thunai;
Naradbar Kalyanam;
Kanniraindba Kanavan;
Enga Veetu Mahalakshmi
1960:
Shantinivasam;
Namminabantu/ Pattayilin Vetri;
Mahakavi Kalidasa;
Pelli Kanuka;
Engal Selvi;
Abhimanam;
Runanubandbam;
Maa Babu
1961:
Velugu Needalu/Thooya Ullam;
Anbu Magan;
Bharya Bartulu;
Bhakta Jayadeva;
Batasari/Kanal Neer,
Vagdanam;
Shabash Raja;
Iddaru Mithralu

1962:
Aradhana;
Manchi Manushulu/Penn Manam;
Gundamma Katha/Manitban Maravillai;
Kalimilemulu;
Kulagothralu;
Siri Sampadalu;
Shri Krishnarjuna Yuddham

1963:
Chaduvukonna Ammayilu;
Punarjanma;
Moogamanasulu

1964:
Poojaphalam;
Atmabalam;
Murali Krishna;
AmarashilpiJakanna;
Dr Chakravarthi
1965:
Sumangali;
Antastulu;
Preminchi Cboodu;
Manasulu Mamathalu

1966:
Zamindar,
Atmagauravam;
Navarathri;
Manase Mandiram;
Astiparulu

1967:
Grihalakshmi;
Pranamithrulu;
Vasantsena;
Rahasyam;
Poolarangadu
Sudigundalu

1968:
Brahmachari;
Manchi Kuttimbam;
Govula Gopanna;
Bandbipotu Dongalu;
Bangaru Gajulu

1969:
Adrushtavanthalu;
Mooganomu;
Adarsha Kutumbam;
Atmiyulu;
Bhale Rangadu;
Buddbimanthudu;
Sepoy Chinnaiab

1970:
Akkachellelu;
JaiJawan;
Maro Prapancham;
Dbarmadatba;
Manasu i Mangalyam;
Iddaru Ammayilu

1971:
Dasara Bullodu;
Pavitra Bandham;
Rangeli Raja;
Suputbrudu;
Amayakuralu;
Shrimantbudu;
Prem Nagar,
Bbarya Biddalu;
Raitu Kutumbam
1972:
Beedala Patlu;
Manchi Roju Lostai;
Dattaputhrudu;
Vichitra Bandham;
Koduku Kodalu;
Bangaru Babu

1973:
Kanna Koduku;
Bhakta Tukaram;
Palletoori Bhava;
Andala Ramudu;
Marapurani Manisbi;
Manchi Vadu

1974:
Premalu Pellilu;
Bangaru Kalalu;
Dora Babu

1976:
Mahakavi Kshetrayya;
Secretary,
Mahatmudu

1977: Chakradhari;
AaluMagalu;
Bangaru Bommalu;
Raja Ramesh;
Chanakya Chandragupta;
Athmiyudu

1978: Chilipi Krishnudu;
Devadasu Malli Puttadu;
Vicbitra Jeevitbam;
Ramakrishnulu;
Shri Rama Raksha
1979:
Ravanude Ramudaithe,
Hema Hemeelu;
Muddula Koduku;
Andaman Ammayi

1980:
Edantastulameda;
Nayakudu Vinayakudu;
Buchi Babu;
Pilla Zamindar,
Prema Kanuka;
Pratibimbalu;
Sreevari Mucbatlu;
\Premabhishekham;
Manavude Mahaniyudu

1981:
Guru Sbisbyulu;
Satyam Shivam;
Prema Mandiram;
Prema Simhasanam

1982:
Raga Deepam;
Bangaru Kanuka;
Gopala Krishnudu;
Megha Sandesam Yuvaraju

1983:
Muddula Mogudti;
Urantha Sankranthi;
Ramudu Kadu Krishnudu;
Bahudoorapu Batasari;
Amarajeevi;
Shri Ranganeetbulu;
Koteeshwarudu
1984:
Tandava Krishnudu;
Anubandham;
S.P. Bhayankar,
Vasantha Geetam;
Justice Chakravartby;
Sangeetha Samrat

1985:
Bharya Bharthala Bandham;
Dampatyam;
Illale Devatha

1986:
Aadi Dampatbulu;
Brahma Rudrulu;
Captain Nagarjuna;
Guru Brahma

1987:
Collectorgari Abbayi;
Agni Putrudu;
Atma Bandhavulu;

1988:
Ravugarillu

1989:
Rajakiya Chadarangam;
Bhale Dampathulu;
Sutradharulu;
Adarsbavanthudu

1990:
Iddam Iddare

1991:
Ragulcitunna Bharalamu;
Seetharamayya gari manavaralu;
Pranadata

1992:
College Bullodu;
Rajeshwari Kalyanam

1993:
Radhasarathi;
Mechanic Alludu
1994:
Bangaru Kutumbam;
Theerpu;
Godfather

1995:
Maya Bazaar

Chirujallu (2001)

Music: Vandemataram
Story, Screenplay & Direction: Sriram Balaji
Release Date: 17th August 2001
Cast:
Tarun,
Richa Pallod,
SP Bala Subramanyam
Story: Vamsi (Tarun) is an orphan. Radhika (Richa Pallod) is the daughter of Durga Prasad (SP Bala Subramanyam), an industrialist and she is motherless. Both these lads meet up on Valentine's Day and they fall in love with each other, gradually. Durga Prasad accepts the love of his daughter and arranges marriage. In the meantime, Vamsi gets interview letter for his civils examination and goes to Delhi. He does not return back and goes missing for months. This entire episode in shown in the flashback. The movie starts with Vamsi taken to the police station and beaten up and then joined in a mental hospital and getting tortured. The second half revolves around how the loves unite again and what is the mystery behind Vamsi getting into Police station and mental hospital. If you want to know who was the villain behind this, you got to watch this predictable and meek film on the silver screen.