Directed by:
B.N. Reddi
Writing credits:
Buchi Babu
Devulapalli Venkata Krishna Sastri writer
Original Music by:
Rama Rao Addepalli
Saluri Rajeshwara Rao
Cinematography by:
Konda Reddy B.N.
Adi M. Irani
Art Direction by:
A.K. Sekhar
Sound Department:
P.V. Koteswara Rao .... sound
Music Department:
Ramakrishna G. .... playback singer
Bhanumathi Ramakrishna .... playback singer
Ghantasala Venkateswara Rao .... playback singer
Madhavapeddi Satyam .... playback singer
Sakuntala V. .... playback singer
Cast:
Doraiswamy ... Narappa
Surabhi Kamalabai
Mallika ... Young Malliswari (as baby Mallika)
Rama Rao Taraka Nandamuri ... Nagaraju
Raghava Rao Nyayapaati ... Allasaani Peddana
Bhanumathi Ramakrishna ... Malliswari
Venkata Ramana ... Youn Nagaraju (as Raster Venkata Ramana)
Rushyendramani ... Nagamma
Sreevatsava ... Sri Krishna Deva Rayalu
Kamala Devi T.G.
Vangara
About Malliswari:
As you all know 'Malliswari' (1951) is one of the best classics of the Telugu cinema. It introduced the renowned Devulapalli Krishna Sastry's poetic genius to the film lovers of the times. The lyricism of the songs he wrote for the movies still ring in the ears of cinegoers and lovers of poetry. The story of this BN Reddy's classic has an interesting background. In the late 1940s Buchibabu wrote a story about a dasi's escapade from a king. The story of Malliswari has its basis in it. The jokes and the pranks of the Nagaraju-Malliswari pair, played by NTR and Bhanumati, are actually are reminiscences of BN Reddy's childhood incidents and experiences.
BN Reddy holds a special place in the history of Telugu Cinema. He is the director who balances artistic values and business needs in the right proportion. Though critics rate 'Sumangali' and 'Swargaseema' as BN Reddy's best films, he thinks 'Malliswari' is his career best.
"When I went to Hampi to shoot my first film 'Vandemataram' in 1939, I was deeply attracted to Sri Krishna Devarayalu", BN Reddy fondly recalls. I wanted to make a film on Sri Krishna Devaraya. Years passed by. But I could not get the right story. Fortunately, 'Malliswari' happened. I think it is the best movie I have directed', he adds.
Songs of 'Malliswari' coupled with the heavenly expressions of Bhanumathi clicked in a big way. The art work by AK Sekhar is commendable. Bhanumathi commemorates "BN Reddy is a great thinker. He injected all his childhood memories into the character of 'Nagaraju' in Malliswari. Can we afford to forget the songs 'kothibavaku pellanta', 'preme neramouna' and 'o meghamala'?"
Bhanumati acted as a vamp in the earlier film of BN Reddy, 'Swargaseema'. She attained the status of superstar at the time of Malliswari shooting. NTR was on a slippery wicket at that time. But it was BN Reddy's confidence in NTR that did the trick. He feels that the pair of Bhanumati and NTR is the best one.
During the production of 'Malliswari', there was a slight misunderstanding between BN Reddy and Bhanumathi. Bhanumathi used to be a little irregular as she was busy with her own production (Prema) work. At one point of time BN Reddy wanted to replace Bhanumathi with a new face called 'Revathi'.
We can get a glimpse of Revathi in one particular song in Malliswari ... 'PoyiRavamma'. Probably he would have thought that Revathi could not match Bhanumati in performance. Though its difficult to him, he was forced to work with Bhanumathi. Bhanumathi never holds back from criticizing BN Reddy that he want his actress to stick to his film and he do not his heroines to get married.
The photographer for the film 'Malliswari' is Konda Reddy, the younger brother of BN Reddy.
Malliswari has gone places and got heavily screened in abroad. BN Reddy wanted to dub this film into English. Due to budget considerations, he could not do it. BN Reddy expired in 1977.
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[+/-] |
MALLISWARI 1951 |
[+/-] |
PATHALA BHAIRAVI 1951 |
Directed by:
Kadri Venkata Reddy
Produced by:
Chakrapani .
Nagi Reddy
Writing credits:
Subbanna Deekshitulu
Kamalakara Kameshwara Rao screen adaptation
Pingali Nagendra Rao dialogue
Pingali Nagendra Rao story
Kadri Venkata Reddy screen adaptation
Original Music by:
Ghantasala Venkateswara Rao
Cinematography by:
Marcus Bartley
Art Direction by:
Madhavapeddi Gokhale
Second Unit Director or Assistant Director:
T. Prakash Rao .... assistant director
Music Department:
Krishnaveni Jikki .... playback singer
Leela P. .... playback singer
Ghantasala Venkateswara Rao .... playback singer
Varma V.J. .... playback singer
Cast:
Rama Rao Taraka Nandamuri ... Thota Ramudu
S.V. Ranga Rao ... Nepala Mantrikudu
Malathi K. ... Indumathi
Seeta Rama Anjaneyulu Chilakalpudi
Girija ... Pathalabhairavi
Balakrishna ... Anji
Surabhi Kamalabai
Lakshmikantam
Padmanabham ... Dingiri
Hemalathamma Rao T G Kamala Devi ... Dancer
Relangi Venkatramaiah
Story:
Vijaya Banner was one of the most entertaining and respected production companies in 1950's. Vijaya's debutante film was 'Shavukaru'. It made inroads into box office despite of having a touch of art film. After the tremendous success of Shavukaru Vijaya produced a mythological film called 'Pathalabhairavi'.Pathala Bhairavi's shooting was trigged off on 5th Feb., 1950 and it finished it's shooting on 8th Feb, 1951. After getting released on 15th March 1951 'Pathala Bhairavi' created the box-office sensation by celebrating 100 days in 28 centers. It was one of the four films selected from India for International Film Festival in 1952. Some people claim that 'Pathala Bhairavi' was inspired by 'Arabian Nights'.
The first and foremost factor for the success of this film is none but the brilliant K V Reddy. Prior to Pathala Bhairavi, he directed films like 'Bhakta Potana', 'Yogi Vemana' and 'Guna Sundari Kathalu'. 'Pathala Bhairavi' paved way for a new trend in the mythological films. Another important factor for the fame of 'Pathala Bhairavi' was the dialogue writer 'Pingali'. Legend Ghantasala has given melodious music for this film.
As for as the story is concerned Thota Ramudu (N T R) expresses his desire to his friend Anji (BalaKrishna) he want to marry Indumathi (Malathi). This story consists of adventures by Thota ramudu. 'Entha Ghatu Premayo' is the most popular song of this film. With the entrance of 'nepali manthrikudu'(SV Ranga Rao) the story takes new turn.
As the father of Indumathi puts a condition that he will give his daughter to the man who is as wealthy as he is, 'Nepala Manthrikudu' preys 'Thota Ramudu' by showing him his powers. 'Premakosamai (Nepali Mantrikudi) Valalo Padene Papam Pasivadu' How appropriate this song is!
KV Reddy gets the full credit for this excellent film. This films starts with a theme of 'Dhairye Sahase Laxmi'. The same spirit runs through out the movie. If we look at the actor's performance NTR's Thota Ramudu stands as a synonym to heroism. Idumati character epitomizes the innocence, sensuality of the heroine. But the one who stole the thunder was SV Ranga Rao, who acted with fire in his Nepali manthrikudu' role. He personality too suited well for this character.
Dialogues in this film made a way into the lingo of Telugu people.
1. Raja Kumari labhistundi
2. Abhistam Siddistundi
3. Sahasam Sayara Dimbhaka
4. Bhoopalam Pagilenu
5. Nepali Mantrikudu: Mari Manaku Addamemiraa - Assistant:Mee Gaddame Guru
6. Mosam Guru
7.Nijam Cheppamannara Abaddam Cheppamannara
There are nine songs in this film. T G Kamala's 'Itihasam Vinnaraa', Relangi's 'Vinave Bala.. Naa prema Gola', Rani's 'Vagaloyi Vagalu' and VJ Varms's 'Premakosamai Valalo Padene' are like honeydews.
[+/-] |
SWAPNA SUNDARI 1950 |
Producer & Direction:
Ghantasala Balaramayya.
Screenplay, Lyrics & Dialogues:
Samudrala Raghavacharya.
Music:
CR Subbaraman.
Singers:
Balasaraswati Devi
Ghantasala.
Banner:
Pratibha Productions.
Cast:
ANR, GHANTASALA BALARAMAIAH
Anjali Devi,
G. Varalakshmi,
Mukkamala,
Sivarao Kasturi,
Surabhi Balasaraswati and Others.
About Swapna Sundari:
The hit pair of yesteryear Telugu cinema-Anjali Devi and ANR.
ANR, since the beginning of his career, choose a number of folklore based (Janapada) movies to star in. He soon created a niche for himself, and was a popular choice for starring in a Janapada movie, a treat both for the successful producers and the audience. It was definitely his forte, but part of the credit went to Pratibha Productions' Ghantasala Balaramayya. In fact, ANR debuted with this production house way back in 1944 with the movie 'Sri Sita Rama Jananam'. This association continued with 'Mugguru Marathilu' in 1946 followed by 'Balaraju' in 1948. 'Balaraju' made a superstar out of Akkineni, and there was no looking back, for both the actor and the producer.
Now Balaramayya had a fascination for fantasy, and tended to use magic and ethereal set-ups in his movies. A fantasy flick full of thrills and frills would entice the audience, is what he firmly believed in. 'Swapna Sundari' was the result of that belief, an imaginative love story about a celestial being and a common man-the basis of many a modern movie, from 'Jagadeka Veerudu Athiloka Sundari' to the recent 'Mayabazar'.
Prabhu always dreamt of a lovely lady, his 'Dream Girl' or 'Swapna Sundari'. On a tour he encounters a tribal queen (G. Varalakshmi), who falls in love with him, but he rejects her. He finally meets his 'Swapna Sundari' (Anjali Devi) who is actually a Deva Kanya, and the love is mutual. She leaves her Godly abode to stay with Prabhu. But an evil Mantrik finds out that with her help, he can conquer the world and become invincible so he kidnaps her. Prabhu, with the help of the tribal queen vanquishes the evil Mantrik, but the Rani dies. Swapna Sundari and Prabhu live happily ever after.
Ghantasala Balaramayya was the one who gave ANR his first break in Telugu cinema.
This story had a strong musical backing. Samudrala Raghavacharya wrote the screenplay, dialogues and the lyrics for this musical folk fiction. Subbaraman, a Telugu based musician settled in Chennai composed the songs. Balasaraswati Devi, a renowned singer, and one of the first female playback singers down South, along with the legendary Ghantasala rendered the songs which were a rage overnight.
The movie was shot in Vauhini Studios. Midway through the shooting, Balaramayya stopped shooting for 'Swapna Sundari' and started on another movie, 'Srilakshmamma Katha', using the same star cast. The reason for this was, he always wanted to put the story of 'Srilakshmamma Katha' on celluloid, another folklore story. A rival production house set about making it first, so he gloomily dropped his dream project. A stroke of luck struck Balaramayya, and the rival producers stalled their version of the Janapadam. Interestingly, two movies with this story came out at once-one by Balaramayya and the other by Mirzapur Raja. Raja's version starred Krishnaveni and Ch. Narayana Rao, and was directed by the famous author Gopichand. Balaramayya's 'Srilakshmamma Katha' hit bulls-eye and had a successful run at the box-office.
With renewed enthusiasm and vigor, they started on 'Swapna Sundari' again. The only hitch was that due to this delay, the proposed budget was crossed. 'Swapna Sundari' was dubbed into Tamil, and both versions had a good run. The movie set the imagination of the youth on fire in those days. The songs were much liked, and the grapevine tells us that some people even went on as far as to name their daughters 'Swapna Sundari'! ANR-Anjali Devi became a 'Hit' pair, and the association of ANR and Balaramayya continued, delivering good cinema for the bygone era.
[+/-] |
SAMSARAM 1950 |
Director:
L.V.Prasad
Music:
S. Dakshinamurthy
Story:
Sadasiva Brahmam
Dialogues:
Sadasiva Brahmam
Lyrics:
Sadasiva Brahmam,
K.G. Sharma
Cinematography:
M.A. Rehman,
B. Subba Rao
Banner:
Sadhana Pics
Cast:
N.T. Rama Rao,
A. Nageshwara Rao,
Relangi Venkatramaiah,
Nalla Ramamurthy,
Doraiswamy,
Lakshmirajyam.
Surabhi Balasaraswathi,
Suryakantam,
Bezwada Kantamma,
Pushpalatha,
Savitri
Story:
A major melodrama hit about the fragmentation of a joint family made in the same year as Prasad's seminal Shavukaru. After their joint appearance in Palletoori Pitta, also 1950, Telugu cinema's two best-known stars, N.T. Rama Rao and A. Nageshwara Rao, again teamed up for this story about a middle-class government clerk Raghu (NTR), living happily with his wife Manjula (Lakshmirajyam), until his schemine mother Venkamma. his sister Kamaksi ( Balasaraswathi) and her cowardly. husband (Venkatramaiah) move into his house. Venkamma appropriates all of Raghu's earnings and Kamakshi plots to have Manjula blamed for all that goes wrong in the household. Raghu, unable to pay his pregnant wife's medical fees, loses his job and abandons his family. His brother Venu (Nageshwara Rao), a flirt who lives off his girlfriend Kamala (Pushpalata) and her rich father, eventually traces Raghu and finds him a job as a porter in a mill. Venu also manages to reunite the family."
[+/-] |
SHAVUKARU 1950 |
L.V. Prasad
Music:
Ghantasala Venkateshwara Rao
Story:
Chakrapani
Screenplay:
L.V. Prasad
Dialogues:
Chakrapani
Lyrics:
Samudrala Raghavacharya
Cinematography:
Marcus Bartley
Producer:
B. Nagi Reddy,
Chakrapani
Banner:
Vijaya
Cast:
Sowcar Janaki,
N.T. Rama Rao,
Govindrajulu Subba Rao,
S.V. Ranga Rao,
Srivastava,
Shantakumari,
T. Kanakam,
Seeta,
Baby Bhanu,
V. Sivaram,
Vangara,
Joga Rao,
Relangi Venkatramaiah
Story:
Successful ruralist melodrama and a drawn out version of the Bombay Talkies dramas of Ashok Kumar and Leela Chitnis. Satyam (NTR), the son of the moneylender Chengaiah (Subba Rao), is supposed to marry the daughter, Subbulu (Janaki), of his neighbour, the farmer and village elder Ramaiah (Srivastsava). Problems arise and villainies are perpetrated until both men's sons find themselves together in jail. Chengaiah then has a change of heart, the main villain, his helper Rangadu (Ranga Rao), is caught and the village is united again. The film, later remade Enga Veetu Penn (1965), begins with a folk Harikatha performance, making a lyrical comment on the theme of miserliness as a social evil. NTR's debut as leading man is often seen as launching a second generation of and Chakrapani's script marked a 'realist' departure from the pre-WW2 reform sagas. More importantly, this is the debut production of Vijaya Studios, demarcating itself from the earlier Vauhini style. Chakrapani's script was later serialised in the journal Vijayacbitra owned by the studio. Actress 'Sowcar' Janaki makes her film debut here. She appended the film's title to her name from then on.
[+/-] |
MAYA RAMBHA 1950 |
Director:
T.R. Sundaram
Producer:
T.R. Sundaram
Cast:
Raghuramaiah Kalyanam
Bhanumathi Ramakrishna
Anjali Devi
Rama Rao Taraka Nandamuri -
Varalakshmi G.
Seeta Rama Anjaneyulu Chilakalpudi -
[+/-] |
BEEDALA PATLU 1950 |
Director :
K. Ramnoth
Cinematographer:
K. Ramnoth
Producer:
Sriramulu Naidu S.M.
Cast:
Chittur v Nagaiah
Story:
K. Ramnoth adapts Victor Hugo's Les Miserables for this acclaimed melodrama,
K RAMNOTH
featuring one of Chittor V. Nagaiah's finest performances. The film centers on Kandan (Nagaiah), an imprisoned petty criminal who escapes from jail only to be captured again by the gifted and ruthless Inspector Javert (Jawar Seetaraman). K.RAMNOTH
Meanwhile, Kandan's pregnant niece (M. N. Rajam) gives up her child to villainous foster parents and joins a circus after her husband suddenly dumps her. When Kandan is finally released from prison, he abandons his former crooked ways, thanks to a Christian priest, and starts a glass making company. The business takes off and soon, after Kandan changes his name, he gets elected mayor of his town. Inspector Javert shows up and threatened to reveal Kandan's mottled past, until Kandan saves the detective's life. Caught between his duties to the British crown and his debt to an ex-con, Javert commits suicide
[+/-] |
PALLETURI PILLA 1950 |
B.A. Subba Rao
Director -
B.A. Subba Rao
Story -
B.A. Subba Rao
Dialogues -
B.A. Subba Rao
Music -
P. Adinarayana Rao
Cinematography -
Kotnis
Editing -
Marthand
Art Director -
Vaali
Assistant Director -
Tapi Chanakya
Sound Editor -
Valke
Playback Singers -
Jikki,
Pithapuram Nageshwara Rao,
Ghantasala Venkateswara Rao
Cast:
Anjali Devi ... Santha
Nageshwara Rao Akkineni ... Vasanth
Rama Rao Taraka Nandamuri ... Jayanth
Subba Rao A.V. ... Kampanna Dora
S.V. Ranga Rao ... Taatha
Rama Murthy Nalla ... Lappam
Sitaram ... Tappam (as Seetaram)
Lakshmikantam ... Dancer in the song O Veera Kampanna
Raju T.V. ... Goodhachari
About Palleturi Pilla:
Bugatha Venkata Subba Rao or BA Subba Rao, as he later rechristened himself, worked for the railways. He was dabbling in theatre as a hobby, but he soon quit his cushy job for the love of the arch lights. He landed up in Madras, where he got to play a comic role in one movie.
After that, a friendship with the Raja of Mirzapuram ensured that he got to direct a movie, without assisting anyone before this. His childhood friend and musician Adi Narayana Rao composed the music, wrote a song and even helped develop the story. The story was based on the English play, Fijaro by Richard Sherton. The movie was titled 'Palletoori Pilla'.
The story goes thus: NTR's photographs, which were with LV Prasad, fell into the hands of Subba Rao. A call later, NTR landed up with the lead role in the movie. So that he gets used to the camera, the makers gave him a small role in 'Mana Desam', that of a villainous inspector. As a lead, Palletoori Pilla is NTR's first flick.
Anjali Devi and ANR were not newcomers, having done several movies till then. While Subba Rao told him he liked his nose and his gait, Adi Narayana Rao said that 'He looks good even without makeup.'
But not everyone was happy with this choice. LV Prasad for one warned Subba Rao about the risks of casting a newcomer. Elapati Raghuramayya was considered for playing Vasanth, but the fight scenes deterred him.
ANR, who had already proven his acting and action skills in movies such as Keelu Gurram, was a worthy choice the makers then made. People spoke about ANR accepting to play a part right in the same league as that of a newbie. Anjali Devi, an established actress, was also asked why she agreed to be cast opposite a debutante.
Anjali Devi was paired with NTR in several films after Palletoori Pilla.
But all doubts vanished once they saw the new lead work. NTR's first ever shot as a lead actor required him to be slapped by Anjali Devi, with many retakes, of course. For an action sequence, he refused to let the director employ a dupe and fought with a violent bull himself. Two fractures later, NTR was still shooting, wearing full sleeves to cover the bandages.
Tapi Chanakya, who later went on to wield the megaphone himself, assisted the director in this movie. TV Raju was the assistant composer. Subba Rao started BAS Productions after the success of this movie. He made several movies such as Raju Peda, Chenchu Laxmi, Bheeshma and others. Palletoori Pilla was remade into Hindi as Insaaniyat (1955), starring Dilip Kumar, Dev Anand and Bina Roy, by Gemini Pictures. Even in Hindi, it tasted success.
During the shooting, NTR signed two more movies. After the movie was declared a hit, another hit, Sowkar, produced by Nagi Reddy and Chakrapani (Vijaya Productions) was released. BA Subba Rao's confidence in NTR ensured that the Telugu industry did not lose out an actor who was to later become a legend.
[+/-] |
JEEVITHAM 1950 |
A.V.M.Productions
Direction and Editing:
M.V.Raman
Supervised by :
A.V.Meiyappan
Dialogues and lyrics:
Toleti
Camera:
T.Muttuswamy
Music:
R .Sudarshanam and swarswathi
Singers:
D.K.Pattamal,
T.S.Bhagavathi,
M.S.Rajeshwari,
M.Satyanarayana
Dances:
Hiralal
Cast:
Vyjayantimala Bali
T.R.Ramachandran .... Pati
C.H.Narayana rao .......Murthy
C.S.R.Anjaneyulu ........sivasinkaralingeshwara prasad
K.Doraswamy.........Vekatasubbiah
A.Narayana rao ....... Veeraswamy
Kamchi narasimha rao ..... Basawayya
K.V.Subba Rao ......Bank secretary
V.M.Elumalai .......Ayomayam
P.D.Sambandam ..... Seenu
Podala Krishna murthy ..... patrika sampadakudu
A.L.Narayana rao ......Bandivadu
lalitha and padmini ..... Dance artists
Kum.Vyjanthimala (debut) .....Mohini
S.varalaxmi .....varalaxmi
venkumaba ..... bangaramma
annapurna .....durgamma
baby vimala .....leela
Baby narayanan and baby meena
and sita,nagaratnam,rajalaxmi,tangamma etc.,
Story:
This is the first film of vyjanthimalaMohini (vyjayanthimala) is the daughter of sivashankaralingeswara prasad(CSR) who is married to durgamma (annapurna) after mohin's mouther's death. Durgamma's brother is murthy (C.H.Narayana rao). Murthy wants to marry mohini. Mohini likes the writerings of ashok. Ashok is none other then the neighbor pati. But she is not aware of that. Murthy goes to the village where she sees varalaxmi (s.varalaxmi) and traps her. She promises her that she will come back from madras and release laxmi's family from the debt of basavayya and leaves the village. After coming to the madras he asks CSR for the hand of mohini. Mohini refuses him. She falls in love with pati after knowing that he is none other than ashok the writer. Varalaxmi became pregnant and comes to madras in search of murthy. She searches for him, before she finds him she delivers the boy in a hospital. She locates murthy and requests to accept her and the child. Murthy refuses as usual. She leaves the child in pati's car and goes into the sea for suicide. Pati leaves the child in a rickshaw and Murthy sees this and asks his aide to bring the child to pati and mohin's engagement venue. The engagement will get cancelled because of the child. Pati brought up the child, unsatisfied murthy makes some more plans to get pati out of job and succeeds in it. Varalaxmi is rescued by the fisherman and she again starts searching for the kid. And sees him in pati's place and feels happy. When the kid met with an accident, she comes forward and releaves the identity of her because kid needs the blood of mother. Murhty comes into the scene but still don't accepts the child. When pati tries to hit murthy it is varalaxmi who comes to his rescue. Seeing that muthy changes his ways and accepts varalaxmi as his wife.
Plus Points of the movie:
* Beautiful photography. Even though it is made in Black & white the village scenes and the other scenes are too good.
* Good melody songs. The song eedena bharatadesam.. eda bharatha desam is a big hit. Other songs like Andhra yuvatha jayamu needera and dada dada are also big hits.
* Acting of Ch.Narayana Rao is good. It is one of his favorite roles.
Funny things about this movie:
* T.ramachandran (hero) is shorter then the vyjayanthimala. He don't look like a hero. In fact Narayana rao looks like hero then of a villan.
* Hero and heroine introduction is usual like bumping their cars and some quarrel in the beginning and love afterwards. (may be trend setter to the later on movies).
* S.varalxmi searches for the hero six months without doing anything. How she survived with pregnancy for that long without eating or doing any work is a surprising factor.
* In second half we don't see much of narayana rao, where he gone, while she is pregnant and searching for her or what he is doing we don't know.
* An accountant in bank can maintain car in madras city. Once the job is gone he has to sell all the things.
About the movieThe movie first made in tamil, then in hindi and then made in telugu
Songs:
Chakkaniana koyarajujuni ekkdaina choosara .. meerekkadiana choosara
Cast: Vyjyanthimala and others
Melukondi tellavare tellaga.. peda kallapu challi muggu pettaga
Cast: S.Varalaxmi
Anandamayena maa palleseema.. dana dharmala maa palleseema
Cast: S.Varalaxmi
Aasalani galilona kalispoyene devi
Cast : S.Varalaxmi
Gopala neeku neenu adutanoye.. nanda gopala neeku neenu
Cast:Vyjayanthimala
Edena maa desem, eda bharatadesam
Cast: madavapeddi satyam
Bhoomi dunnalo rayeta bhoomi dunnalo
Cast: padmini and lalitha
Priyamiana Raani mohini, ela aluka chalika, .. dada dada dada
Cast: T.Ramachandran and Vyjanthimala
Priyamaina raja naa pati, ela aluka chaluka dada..dada.
Cast: Vyjanthimala and T.Ramachandran
Choopava pati tova.. deva.. choopava pati tova..
Cast: S.Varalaxmi
Mana masanasu manasu ekame, anandmai navalokam choodama
Cast: T.Ramachandran and Vyjanthimala
Tikku tikku takkuladi tapu tari adaga, okkasari choodara
Cast: Vyjanthimala (Pehilemoolakath hai song)
[+/-] |
LAILA MAJNU 1949 |
Director:
P S Ramakrishna Rao
Producer:
Bhanumathi Ramakrishna
P S Ramakrishna Rao
Music:
C R Subburaman
Cinematography:
B S Ranga
Screenplay:
Samudrala Raghavacharya
Dialogues:
Samudrala Raghavacharya
Banner
Bharani Studios
Cast:
ANR,
Bhanumathi RamaKrishna,
Chilakalpudi Seeta Rama Anjaneyulu,
Sriranjani,
Mukkamala,
Lalita Devi,
Kasturi Siva Rao,
Padmini,
Aarani Satyanarayana,
Hemalatha
Story:
The first Telugu version of the classic Sufi legend filmed extensively in Hindi. The rich Laila (Bhanumathi) loves the poor Qais (A. Nageshwara Rao) who is accused of insanity by her family. She is sent to Iraq but, in a reversal of the usually tragic ending, meets and unites with her lover in the desert.
Remembered mainly for the two stars' performances and for Bhanumathi's songs Ninu basipovudana and Preme nemmauna, both of which she later claimed to have composed herself. The film is also Malayalam star Padmini's Telugu debut with her sister Lalitha.
[+/-] |
RAKSHAREKHA 1949 |
Director:
R. Padmanabhan
Writer:
Balijepalli Lakshmikanta Kavi
Produced by
R. Padmanabhan .... producer
Original Music by
Ogirala Ramchandra Rao
Ghantasala Venkateswara Rao
H.R. Padmanabha Sastry
Cinematography by
T. Marconi
Music Department
Komala A.P. .... playback singer
Bhanumathi Ramakrishna .... playback singer
Ghantasala Venkateswara Rao .... playback singer
choreographer
Vedantam Raghavaiah
Cast:
Nageshwara Rao Akkineni ... Prince Sudhakar
Bhanumathi Ramakrishna ... Princess Kalavathi
Anjali Devi ... Chitra
Siva Rao Kasturi
Showkar Janaki ... Chandrika
Balijepalli Lakshmikanta Kavi
Vangara
Kanakam
Lakshmi Rajyam C.
Vijayalaxmi (as Vijayalakshmi)
Ganga Ratnam P.
Vedantam Raghavaiah
Subbamma R.
Lakshmi Devi
Ramanatha Sastri
Story:
Costumed fantasy, and a rare joint appearance of Telugu cinema's two best-known female stars, Bhanumathi and Anjali Devi. Kalavathi (Bhanumathi), talented and versatile daughter of the king of Simhala, refuses to marry, as does Sudhakar (A, Nageshwara Rao), prince of the neighbouring kingdom ofAvanti, While he is asleep, fairies come and transport him in his bed to Kalavathi's chamber and they fall in love. The celestial damsel Chitra (Anjali Devi), envious of Kalavathi, whisks Sudhakar up to heaven, allowing him to return to earth once a week but threatening that hi,s head will explode into a 1000 pieces if he reveals her existence. When Kalavathi gets pregnant, her husband's disappearances lead to rumours accusing her of infidelity and she is forced to leave the palace. Kidnapped by tribals, she escapes dressed as a man. Another princess, Chandrika, believing Kalavathi to be a man, falls in love with her and marries her. In the end, Chitra throws Sudhakar out of heaven and he lands on earth, petrified into a stone statue. A holy man makes him human again and changes Chitra into a witch. Patterned on an earlier hit, Pullaiah's Gollabhama (1947), the film became a pioneering example of a genre Telugu film critics call 'folklore films’.
[+/-] |
MANA DESAM 1949 |
Producer -
Krishnaveni and her husband
Raja MirzaPuram
under MRA Productions.
Director -
L. V. Prasad
Music -
Ghantasala
Story -
famous bengal writer Sharat Chandra Chattopadhyay's novel
Dailogues and lyrics -
Samudrala Raghavacharya
Camera -
MA Rehman
Singers -
Ghantasala,
M. S. Ramarao,
C. Krishnaveni,
P.G. Jikki Krishnaveni,
P. Leela,
Nagaiah etc.
* Madhu - Chadalavada Narayana Rao
* Sobha - Ms. C Krishnaveni
* Police Inspector - N. T. Rama Rao
* Chittur Nagaiah
* Relangi Venkatramiah
* S. V. Rangarao
* Vangara Venkatsubbayya
* Ramanatha Sastry
* Kanchana
* Surabhi Bala Saraswati
* Hemalatha
* Lakshmikantham
Story:
Mana Desam (1949) is a Telugu social film directed by L. V. Prasad and produced by actress Krishnaveni. The title means "Our Country" in Telugu. The film based on Vipradas, a Bengali novel and runs in the backdrop of India's freedom fight.
* It will be remembered as the film that introduced telugu thespians like S. V. Ranga Rao and N. T. Rama Rao and the popular singer Ghantasala as a music director and famous south Indian singer P. Leela to telugu people.
* Krishnaveni used the all traditional story telling techniques then in the movie. She used styles of Burra katha, Oggu katha, stage dramas like Veedhi Natakalu, Bommalatalu in parts of the movie. She also included all types of traditional songs in telugu, patriotic songs, dhampudu songs, bhajans and rural songs.
* The movie also portrays the Gandhian values during freedom struggle and their deterioration after India got freedom from British.
* It is first Telugu film based on Bengali story. Many Bengali stories like Devdas and Aradhana were used as plots for Telugu movies afterwards.
Madhu and Shoba are lovers. Madhu supports the Congress party but Shoba is opposed to congress views. They both are arrested in political violence during the freedom struggle. Madhu is tortured by the police and loses memory. The movie ends with his recovering from amnesia and reunion of the couple. Producer Krishnaveni herself played the role of Sobha and Narayana Rao played the role of Madhu.
LYRICS:
Jaya Janani - patriotic song, singers are Ghantasala and C. Krishnaveni
* Emito Ee Sambhandam Enduko Ee Anubhandam - duet, singers are M. S. Ramarao and C. Krishnaveni
* Chalo Chalo Raja - Singers are M.S. Ramarao amd C. Krishnaveni
* Ninnu Nenu Maruvalenura Police yenkatsami - rural style song, singer is Jikki Krishnaveni
* Atta leni Kodalu Uttamuralu - folklore song. singer is Jikki Kirshnaveni
* Vedalipo Tella Dora Vedalipo - patriotic group song
* Nirvedamela kanneridela - Gandian song by Nagaiah
* O Bharata Yuvaka - patriotic group song
* Kallo Ninnu CHoosinane Pilla Vallu Jallumannade - duet, singers are Ghantasala and C. Krishnaveni
* Vaishnava Janato - Traditional Bhajan
[+/-] |
GUNASUNDARI KATHA 1949 |
Director:
Kadri Venkata Reddy
Written by:
Kamalakara Kameshwara Rao ,
Pingali Nagendra Rao ,
Kadri Venkata Reddy ,
William Shakespeare
Art Direction by:
Nageshwara Rao Kudaravalli
Music Director:
Rama Rao Adepalli ,
Ogirala Ramchandra Rao
Film Editing by:
M.S. Mani
Cinematographer:
Marcus Bartley
Other crew:
Siva Rao Kasturi ,
Leela P. ,
Krishnamurthi Pasumarti ,
Ghantasala Venkateswara Rao ,
Pingali Nagendra Rao ,
Kamala Devi T.G.
Sound Department:
A. Krishnan
Cast:
Sriranjani Jr- Gunasundari
Siva Rao Kasturi
Sivaram Vallabhajosyula
Govindrajulu Subba Rao
Santha Kumari P.
Relangi Venkatramaiah
Malathi K.
Venkateswara Rao Pamarti
Jandhyala Gaurinatha Sastri - Lord Siva
Kamala Devi T.G. - Goddess Parvathi
Hemalatha
Sadasiva Rao Kallakoori
Kanakam - Yakshini
Story:
Free wheeling adaptation of Lear by fantasist K.V. Reddy. The royal patriarch (Subba Rao) is offended by his youngest daughter Gunsundari (Sriranjani) when she pledges unconditional loyalty to her future husband. He has her married to a deaf and dumb cripple (Siva Rao) who is in fact a perfectly healthy youth living under a curse. The king is stricken with a mysterious illness and his three sons-in-law set out to discover the Mahendramani jewel which will cure him. When the youngest son-in-law finds it, the other two steal it and magically change the third into a bear. Gunsundari eventually succeeds in lifting the curse upon her husband, The music of the big-budget Vauhini film is particularly successful, with V.A.K. Ranga Rao claiming Ogirala's composition Eevanilo to be the most unusual song on the history of Telugu cinema. The scenarist K. Kameshwara Rao later remade it in Tamil (Gunsundari, 1955) starring Gemni Ganesh and Savitri
[+/-] |
KEELUGURRAM 1949 |
Banner:
Vijayalakshmi Movies
Director:
Rajah of Mirzapur
Music:
Ghantasala Venkateshwara Rao
Story:
Ch Narayanamurthy
Dialogues:
Tapi DharmaRao
Lyrics:
Tapi DharmaRao
Cinematography:
D.L, Narayana
Producer:
Rajah of Mirzapur
Cast:
Anjali Devi,
A. Nageshwara Rao,
T. Kanakam,
Suryashree,
Lakshmirajyam Jr,,
Surabhi Kamalabai.
Gangarathnam,
M. Subbulu,
A.V. Subim Rao,
Relangi Venkatramaiah,
P. Koteshwara Rao,
D. Satyanarayana
Story:
The Rajah of Mirzapur -- owner of the Telugu Shobhanachala studios -- takes director's credit for this fanciful adventure yarn. While out on a hunt, a king discovers spoils of a different sort when he happens upon a beautiful woman (Anjali Devi) who turns out to be a demon capable of devouring an elephant in a single gulp. Under her spell, the headstrong king insists on marrying this unusual lass over the objections of his pious and pure son (Nageshwara Rao), and his first wife, the queen. After the wedding, the demon sends her new stepson out on an impossible mission to retrieve a rare herb. He succeeds with the help of a flying horse. The ensuing family squabble between son and step-mom proves to be awesome.
[+/-] |
BALARAJU 1948 |
Ghantasala Balaramaiah
Music;
C R Subburaman
G Narasimha Rao
Ghantasala Venkateswara Rao
Cinematography;
P Sridhar
Editing;
L M Lal
Story;
Prayaaga
Art Director;
S V S Ramarao
Banner;
Pratibha Films
Cast;
Nageshwara Rao Akkineni
Anjali Devi
Varalakshmi S.
D.S. Sadasiva Rao
Siva Rao Kasturi